Learning to Hula
August 2006
Harlequin Next
ISBN
0-373-88105-3
Being Strong Is a State of Mind…
Everyone in town thinks Holly DeJong has handled her husband's death
well, including her. Until the day she spots a cupcake display at Smiley's
General Store and lets loose. Holly's husband is dead…because he cheated on
her. He didn't have just one Kitty Cupcake on the side; he had boxes of
them!
Now everyone in town thinks she's lost it, except Holly. For the first time
in months she feels as if she can handle anything, including her children,
dating-minded family members and a certain deputy with more on his mind than the
cupcake massacre. Just like the hula dancer on her husband's favorite lamp,
Holly is learning that happiness comes from swaying with whatever possibilities
life throws her way.
Reviews
"LEARNING TO HULA by the
prolific writer Lisa Childs is heartfelt and
heartening. Talented Lisa Childs
takes a most delicate subject and presents
it in a real next door neighbor way. Her
heroine, Holly, transformed from a fragile
unsure person to a strong, ready for life
woman before my eyes. Holly’s struggle with
rebuilding her life was made real with a
touch of humor and Ms. Childs captured it
perfectly. For a heart warming story with a
chuckle, be sure to get your copy of
LEARNING TO HULA."
-- Donna Zapf, SingleTitles.com
"Learning to Hula (4), by
Lisa Childs, is a touching and heartwarming
look at the pain of loss, leavened with
laughter. The kids are realistically
obnoxious without being overwritten, and
Childs skillfully handles not only Holly's
story but also those of other family members
dealing with loss, making a richly textured
story." -- Page Traynor,
RT BookClub
"LEARNING TO HULA is one of
the sweetest, funniest, and moving stories
that this reviewer has had the pleasure to
read in a long time. Lisa Childs does a
superb job of creating real characters,
enhancing their strengths and flaws, which
make them lovable. Problems are unraveled
and lessons on living are taught in this
wonderful, poignantly humorous tale. This
book comes highly recommended for readers of
all ages." -- Betty Cox,
NovelTalk.com
"Learning To Hula, while a
book about the grieving process and losing a
loved one, is also a book about family
relationships and taking new chances in
life. The small town atmosphere lends a cozy
feel to the book, and the dynamics of
Holly’s family (especially her sisters) are
often amusing. There are not many surprises
in this often predictable book; that said,
this is about the journey, not the
destination, and Learning to Hula is an
enjoyable read if the reader keeps that in
mind. " -- Shannon
Bigham,
Curled Up with a Good Book
"LEANING TO HULA is a deep
look at the grieving process as Holly and
her children struggle in their own ways with
the "death by cupcakes" of her husband and
their father. Even Holly sisters mourn in a
realistic way the demise of their
brother-in-law. The character driven story
line uses angst and humor to insure that
readers understand that grief is customized
to the needs of the surviving loved ones.
Though action-free except for the nasty but
realistic behavior of the kids, fans of
powerful character studies will want to
learn to hula alongside Holly and company."
--
Harriet Klausner
Staring at the
wine bottles on the alcohol wall of Smiley's store, I consider giving Pam the
lamp as a housewarming gift instead. I've already been to all the other sections
of Smiley's General store, and general covers a lot: groceries, clothing,
house wares, hardware and party supplies. Yet, I haven't found a single
appropriate thing for tonight.
I might as
well go with inappropriate.
The truth is
that I don't really feel like giving her a house-warming gift at all, but she's
throwing herself a party.
Maybe bringing alcohol is a
good idea. Even though she'll use it to toast her new life, I get to
drink it, too. I suspect I'm going to need it.
So now I
switch from trying to figure out what she'd like. Keith hadn't managed that in
twenty-five years, so I'm not going to figure it out in twenty minutes. I
concentrate on finding my favorite labels.
Whenever he worked late, Rob
would bring home a bottle of Lambrusco to mellow me. I should have figured, it's
probably the sweetest wine. Despite claiming it was for me, he'd drink most of
it.
I'd always ask him, "Is this
for me?"
He'd grin and reply, "Yes,
I'm going to get you drunk so I can have my way with you."
I'd laugh and point out that
he'd never had to get me drunk for that.
My hand's
shaking as I reach for the bottle of Lambrusco. All this shaking today. Maybe
it has nothing to do with the closing or stage, maybe I just had too much
caffeine this morning. But then I remember that I drink decaf. Unlike Rob, I
don't cheat on my health.
My fingers
miss the bottle; I'm not tall enough, and that irritates me. My eleven-year-old
daughter is already taller than me. I take after my petite mother in more than
widowhood.
Off balance
from the reach, I stumble back a few steps. My hip brushes against the display
behind me, tumbling some cardboard boxes onto Smiley's freshly waxed vinyl
floor. I spin around to catch more before I cause an avalanche.
Startled, I
see what's in my hands -- the familiar boxes that I've found stashed all over
the house and Rob's office. The bright yellow packaging has a cellophane window
in the middle displaying the heavily frosted, chocolate buttercream-filled
cupcakes in their individual packages. Above the window, a little black kitten
sits in the corner of the box, licking frosting from its whiskers. These are
Kitty Cupcakes.
More like killer
Kitty Cupcakes.
This time the anger rushes
in so fast I can't stop it. It roars in my ears and burns my face. My hands
aren't shaking anymore as I toss the boxes onto the floor.
Kitty's
staring up at me from the corner of her green eyes as I lift my foot and smash
my heel right through the cellophane window. Frosting and bits of chocolate cake
cling to my shoe as I lift it, then slam it down again into another box. I
spread my arms, toppling the entire display and standing in the middle of it
jumping up and down like I'm having one of the tantrums my daughter, Claire,
used to throw when she was two.
Words are tumbling from my
lips but I can't hear them for the roaring of blood in my ears. But they, and my
actions, are drawing other shoppers to the end of the aisle.
Even though I
can't hear myself, I catch a little girl's horrified whisper to her
mother: "Mommy, why is that woman killing Kitty?"
The mother covers the
child's eyes as if she's stumbled into a strip joint. I'm not naked, but
suddenly I feel that way.
The anger
ebbs. I move to step away from the pile of crumpled boxes, but my heel slips,
either on the waxed floor, or the spilled frosting, and I go down.
The small crowd at the end
of the aisle murmurs, "Ahh!" I try to scramble up, but go down again to their "Ohhs."
Frosting coats
my fingers, and I glance down at the smart, little suit I wore to the closing.
Brown frosting clings to the black-and-white-houndstooth print like mud kicked
up from the tires of a stuck truck.
I'm sure
there's some in my hair, too, since locks of it are sticking to my face. I push
it back, forgetting my hands are coated, and leave more across my cheek.
Even though the crowd is
quiet, I can hear laughter. Maybe it's coming from above; Rob would love
this. Or maybe it's bubbling up inside me. Either way, it feels good, and I
start smiling, probably looking like even more of a lunatic to the spectators
gathered like gawkers at a traffic accident.
Someone gets brave enough to
approach me, as a hand extends to help me up. I reach for it with my sticky
fingers and glance up with an apologetic grimace.
A face similar to mine stares
down at me, blue eyes as wide and horrified as the little girl who watched me
kill Kitty. Emma's fair skin tinted with the red blush of embarrassment, not for
herself.
Before she can do more than
get me to my feet, Smiley rushes up, rubber-soled shoes squeaking against the
vinyl tiles. White brows lift high above his sharp eyes as he takes in the
cupcake massacre. He asks the question burning in my sister's blue eyes. "What
the hell happened here?"
Emma's faster on her feet
than I am at the moment. Must be from dealing with all the teenagers she has,
her own and step. "Smiley, don't worry. I'll take care of it." She's already
taking her wallet from her purse.
Like Claire has done to me
so many times, I tug on Emma's sleeve, but I point to the alcohol wall. "Get a
bottle of Lambrusco, too. I couldn't reach it."
Then I walk away, head high,
frosting covered heels slipping. The shocked crowd parts as I near the end of
the party aisle and walk out of Smiley's.
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